43.1 x 26.6cm - oil, cardboard signed on the left: Jan Styka | 1904. and p.d.: IPHIGENIE OF TAVRIS
On the reverse, number (in pen): 018679; in addition, on the upper bar of the frame a sticker of a framing workshop in New York.
Provenance:
Collection of the Paskowski Family in the USA.
Dr. Richard and Catherine Paskowski were both born in New York as children of Polish immigrants. Although they lived in the United States, they cherished their Polish heritage, traveled throughout Poland and spent years amassing a fine collection of Polish art. They made many donations to Polish causes in the US. They also wanted the remainder of the collection to go back to Poland and please Polish collectors.
* Border VAT of 8% will be added to the auctioned price in addition to other costs (according to §12 item 2 of the Rules).
Jan Styka (Lviv 1858 - Rome 1925) - popular painter of historical and battle scenes, author of allegorical and religious paintings, portraitist, father of painters Tadeusz and Adam Styka. He studied at the Academy of Fine Arts in Vienna, then in Rome, and from 1882-1885 with Jan Matejko at the School of Fine Arts in Cracow. After his studies, he spent several years in Paris and later lived in Lviv. In 1895 he traveled to Palestine. After 1900 he lived permanently in Paris, from where he traveled to the United States, Italy and Greece. A participant in many exhibitions, including the Paris Salons and the World Exhibition in St. Louis (1904), he enjoyed considerable popularity and even fame. He was a member of the Academy of St. Luke in Rome. He was also the originator and co-author of famous panoramas - Panorama of the Battle of Raclawice (1892-1894; exhibited permanently in Wroclaw today; together with W. Kossak and others), Golgotha (1896; now in Los Angeles), Panorama of Transylvania (1897; cut into parts, only fragments remain), and Martyrdom of Christians in Nero's Circus (1899; canvas lost during World War I). He was involved in illustration, including preparing illustrations for a luxury edition of Quo vadis? Sienkiewicz.
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