German master, 18th century, German masters, 18th century Portrait of Angelo Soliman (c. 1721-1796)

Oil on canvas, 63.5 × 49.5 cm

This captivating bust portrait presents a man of African descent seated with an air of composure, his demeanor exuding both tranquility and dignity. With his elbow propped up, his head slightly inclined, and his gaze directed pensively into the distance, he evokes a sense of contemplation. Adorned in opulent attire, he wears a resplendent yellow silk jerkin complemented by a regal blue velvet cloak, fastened at the neck with a delicate ribbon. The cloak drapes gracefully over one shoulder, cascading over his arm, while a white turban, adorned with a red cap and a white bandage encircling his neck, adds a distinctive touch to his ensemble. In his right hand, he holds an oboe, further enhancing the aura of sophistication and refinement.

The subject is likely Angelo Soliman, as suggested by a mezzotint crafted by Johann Gottfried Haid after a lost painting by Johann Nepomuk Steiner. Notably, the resemblance between the two figures depicted is striking, affirming the likelihood of the sitter being Angelo Soliman. If authenticated, this painting would stand as the sole known portrait of Angelo Soliman, representing an invaluable artistic and cultural-historical artifact.

Angelo Soliman's life trajectory is as remarkable as it is poignant. Born into slavery during a tribal conflict, he was subsequently transported to Europe, where he received an education under the patronage of a marquise in Genoa. His journey led him to serve Prince Johann Georg Christian von Lobkowitz, demonstrating valor as a soldier and saving the prince's life in the process. Transitioning to the court of Prince Wenzel von Liechtenstein, Angelo Soliman continued to distinguish himself, despite facing adversity, including temporary dismissal due to an unsanctioned marriage. Renowned for his linguistic prowess and esteemed character, he garnered admiration and forged friendships with esteemed personalities. Notably, his affiliation with the Freemasons' Lodge "Zur wahren Eintracht," where he associated with luminaries such as Mozart, further underscores his significance in both intellectual and social spheres. Oil on canvas, 63.5 × 49.5 cm