JOSEF EBERZ (Limburg an der Lahn 1880 - 1941 Munich), Landscape near Assisi, 1920

JOSEF EBERZ
(Limburg an der Lahn 1880 - 1941 Munich)
Landscape near Assisi, 1920
oil/canvas, 58 x 79 cm
signed J Eberz and dated 20
exhibition label Gallery New Art Hans Goltz Munich, N. P.459, 1923
exhibited at City Art Collection Limburg 2021
Provenance: Gallery New Art Hans Goltz Munich, private collection Germany Ketterer auctions Munich 2010, Fine Arts Widder Vienna

ESTIMATE °€ 15.000 - 25.000
START € 12.000

German painter, graphic artist and illustrator of the 20th century. Studied at the Academy in Munich from 1901 to 1903 under Franz von Stuck and Hugo von Habermann. Then in Karlsruhe and from 1907 to 1912 master student of the color theorist Adolf Hölzel in Stuttgart. Member of the Hölzel circle, along with Gertrud Alber, Willi Baumeister, Paul Bollmann, Hans Brühlmann, Heinrich Eberhard, Maria Hiller-Foell, Ida Kerkovius, Otto Meyer-Amden, Alfred Heinrich Pellegrini, Oskar Schlemmer, August Ludwig Schmidt, Hermann Stenner and Alfred Wickenburg. Married the artist Gertrud Alber in Wiesbaden in 1917. From 1918 in Munich, represented by the art dealer Hanns Goltz. Member of the New Munich Secession, 1919 of the association Das junge Rheinland, 1919 also of the Darmstadt Secession and the Novembergruppe. In the 1920s travels to Italy, Dalmatia and Paris. His works were classified as degenerate art by the Nazis. Stylistically to be assigned to Expressionism, especially influences of Cubism, Futurism and later Pittura Metafisica. Stylistic proximity to the German Expressionists Conrad Felixmüller, Alexander Kanoldt or Emil Nolde. Created expressionist and color-intensive landscapes and figure paintings, strong interest in religious themes.

Born in Limburg an der Lahn in 1880 as the son of a postal clerk, the painter and graphic artist Josef Eberz studied around the turn of the century in Munich, first under Professors Peter Halm and Franz von Stuck, and then in Düsseldorf and Karlsruhe (both in 1904). He was first challenged at the Stuttgart Academy, where Eberz was enrolled from 1905 as a student of Christian Landenberger, a positive plein-air painter. For Eberz, this professor was probably the real reason for choosing Stuttgart as a training center. But it was only in Adolf Hölzel, the painter of clay nature and genre paintings, that Eberz finally found the artistic figure that formed him. Hölzel, like Eberz, had come to the Stuttgart Art Academy in 1905 and quickly made a name for himself as a painter who was active in art theory and had his own color theory and color circle. As early as 1907 we find Eberz as a master student in Adolf Hölzel's class, in which he studied until 1912. From his teacher, to whom Eberz felt a strong obligation in terms of composition and color in his early pictures, this master student should above all acquire the ability to construct the picture more constructively and to handle color confidently, detached from the real object.

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