Dimensions: 80.8 x 66 cm
signed with bound monogram l.śr: 'WW'
on the reverse the artist's legacy stamp: '0899 | WW'
Source
artist's legacy
collection of the artist's family, Cracow
private collection, Poland
Polswiss Art auction house, October 1997
private collection, Poland
Exhibited
Legendary Young Poland. Paintings of the turn of the 19th and 20th centuries from a family collection, National Museum in Gdansk, June 2-September 10, 2017
Legendary Young Poland. Paintings of the turn of the 19th and 20th centuries from the family collection, Podlaskie Museum in Bialystok, November 4, 2016 - February 19, 2017
Literature
Legendary Young Poland. Painting of the turn of the 19th and 20th centuries from the family collection, exhibition catalog, Podlaskie Museum in Bialystok, Bialystok 2016, p. 85 (il.), cat. no. 74
Biography
He was born in Leorda, Bukovina, Romania. His father's profession as a railroader left a clear mark on the artist's later work, which repeatedly returned to railroad motifs (Plaszow, Strzyzow). He was educated initially in Lviv, and then, after moving to Podgórze, in Cracow. In 1892, thanks to the favor of Jan Matejko, he was admitted immediately to the second year of studies at the Cracow School of Fine Arts. During his education, he made his first trip to Europe and visited Paris. Under his influence, and after meeting Stanislaw Przybyszewski, decadent expressionist tendencies began to grow in his work. He completed his studies at Leon Wyczółkowski's major in 1898. Later that year he took part in the "Art" exhibition and began working with the Cracow "Life". In 1899-1903, he made regular trips to the Podkarpackie town of Strzyżów, where his sister lived with her husband and children at the train station. It was there that the artist's most important symbolist-expressive works were created, with "Possession" or "Radiant Sunset" at the forefront. In 1901 he received a scholarship from Count Michal Tyszkiewicz, which he used to travel to Italy. He visited Rome and Venice, among other places, to which he returned with particular pleasure.
In 1904 he purchased a house in Kalwaria Zebrzydowska. This place became his asylum and space for numerous plein-air paintings for the following years. During this time there was a shift from catastrophism to affirmation of life, nature and the world. In 1905 begins the so-called "white period" in his work, which would last until 1912, and in which Weiss dramatically lightens his color palette and is inspired by the art of Japan. In 1907, Irena Silberger (Aneri) arrives in Krakow and the artist marries her a year later. This is a time of thriving career development for Weiss. He becomes a member of the Society of Friends of Fine Arts in Krakow, the Vienna Secession, as well as president of "Art". The 1920s is a period of family and artistic stability. The Weiss family moves to a villa designed for them by Tadeusz Stryjeński and Franciszek Mączyński at 31 Krupnicza St. The interwar period will abound in numerous nudes, still lifes and landscapes maintained in the spirit of the old masters and not devoid of reflections of modern currents in art, such as French Impressionism. Weiss often visited southern Europe at the time, especially Nice, where Aneri's sister Maria Sperling, also a painter, lived. In the 1930s, the artist took regular plein-air painting trips with his wife to the Baltic Sea. He also willingly travelled to Ojców and Poronin. Still a regular place of his artistic struggles was Kalwaria Zebrzydowska. In 1948 he received the Award of the City of Cracow for lifetime achievement.
