gelatin-silver print, 38.5 x 50 cm
signed, dated and described on the reverse
The title of the series comes from the Japanese YASHICA SAMURAI X4.0 camera used by the artist, and each work consists of 24 frames. In this way, Wojciechowski recorded selected fragments of the surrounding reality in the spirit, as he himself said, of lyrical conceptualism.
BIO
He worked in photography and video, was a curator and a writer. He studied physics at the University of Warsaw, and from 1968 collaborated with Andrzej Jórczak, and from 1970 also with Henryk Gajewski within the framework of the Remont Gallery, and was active in the artistic milieu centered around this gallery. He also collaborated with Janusz Szczucki's Znak Gallery in Bialystok. Member of ZPAF. From the beginning of the 1990s, he worked at the Small Gallery of ZPAF-CSW. His work developed in two directions - metaphorical and parapublicistic. Major solo exhibitions: Imperfectum / Wall, Remont Gallery, Warsaw (1974); Landscapes and Notes, Znak Gallery, Bialystok (1975); Parabolae, FF Gallery, L.dź (1996); Combat Colors, Mała Galeria ZPAF-CSW, Warsaw (1999); Musica Muta, Mała Galeria ZPAF-CSW, Warsaw and WM Gallery, Amsterdam (2005); When I'm Sixty Four, with Zygmunt Rytka, CCA Ujazdowski Castle, Warsaw (2011); Photographer, with Bownik, Monopol Gallery, Warsaw (2015).The artist's works are in private collections and the collections of the National Museum in Wroclaw, CCA Elektrownia in Radom, BWA Labirynt in Lublin.
