Bronisława Rychter-Janowska, PARK IN KRYNICA GÓRSKY, 1928

24.0 x 34.0cm - oil, cardboard signed l.d.: B. RYCHTER-JANOWSKA | KRYNICA 1928.



Krynica Górska was undoubtedly a place well known to the artist, who spent the early years of her life in nearby Stary Sącz and later settled in Cracow. She returned to her hometown many times, and for a time later ran a painting school there as well. The painter and traveler is best known for her depictions of manor houses, as well as southern landscapes. Definitely less common on the collector's market are native views - equally suffused with light and color compositions by the Munich-educated painter.



♣ to the auctioned price, in addition to other costs, will be added a fee arising from the right of the artist and his heirs to receive remuneration in accordance with the Law of February 4, 1994 - on Copyright and Related Rights (droit de suite).

Bronislawa Rychter-Janowska (Krakow 1868 - Krakow 1953) - an artist known as "the painter of vanishing Polish manor houses", began her painting studies in Krakow under the guidance of her brother, painter Stanislaw Janowski, and at the courses of A. Baraniecki. Ludwik Boller (a Munich painter, working on Panorama of the Tatra Mountains at the time) also gave her private lessons. In 1896 she went to Munich for further studies and studied with Anton Ažbé and Simon Hollósy. She traveled extensively, still going to Hungary and Italy, where she studied further at the Florence Academy and in Rome. Initially associated with Krakow, she settled in Stary Sącz around 1906, where she ran a private painting school for some time. In 1917 she returned to Cracow. She continued to travel extensively, going "in search of beauty" to Italy, North Africa or Turkey. She painted in oil, watercolor, pastel, made macatas and appliqués. Starting in 1901, she repeatedly showed her works at exhibitions in Krakow, Warsaw, Lvov , Prague, Vienna, Rome, Venice, Florence. She painted numerous landscapes (including many Italian landscapes), views and interiors of manor houses or churches, scenes of village life, and portraits. She was active in journalism and literary works (including the novel Beyond Rome, the novella Strzygoń); she wrote several dramas (Monk, Parasite) and extensive Memoirs. She was the wife of painter Tadeusz Rychter and sister-in-law of Gabriela Zapolska.