Dimensions: 40 x 30 cm
signed, dated and described on the reverse: 'upside mountain | t. Brzozow. | -ski. | '85.'
signed and described on the loom: 'T. BRZOZOWSKI | 'POKUŚNICA'"
Exhibited
"Tadeusz Brzozowski at friends. Exhibition on the first anniversary of his death", BWA in Zakopane, 1-14.04.1988
"Tadeusz Brzozowski. Painting, drawing", BWA in Cracow, 1.06-1.07.1992
Permanent exhibition in Tadeusz Brzozowski Gallery, former studio of the artist, Zakopane (as of 1996)
"Tadeusz Brzozowski - from the family collection. Painting and drawing", BWA in Sieradz, 1998; exhibited subsequently at: BWA in Bydgoszcz, 1999; BWA in Jelenia Gora, 1999.
"110 years of ZPAP of Zakopane district", BWA in Rzeszow, 3.02-6.03.2022
Literature
Tadeusz Brzozowski 1918-1987, exhibition catalogue, ed. by Anna Żakiewicz, National Museum in Warsaw, 1997, cat. no. 493, p. 243 (catalog raisonné, compiled by Wawrzyniec Brzozowski, Anna Żakiewicz)
Tadeusz Brzozowski - from the family collection. Painting and drawing, cat. exhibition, BWA in Bydgoszcz, 1998, cat. no. 19, nlb
Biography
Studied painting at the Academy of Fine Arts in Cracow from 1936, continuing his studies at the Kunstgewerbeschule, established in place of the Academy, from 1940-1942. During the occupation, he was associated with Tadeusz Kantor's Underground Theater - he played in Balladina (1943) and the leading role in The Return of Odysseus (1944). During this period he was also involved in art conservation, which proved fruitful for his own painting technique in the future. In 1945 he finally graduated from the Academy of Fine Arts in Cracow. Until 1948, he exhibited with the Young Visual Artists Group, participating in the most important exhibitions of the young art movement, until the authorities imposed Socialist Realism as the prevailing style of painting. In 1954, he moved to Zakopane, where he began teaching at the Kenar School. During this period, he became a virtuoso of painting technique in the course of independent trials and experiences. Color, texture, the play of glazing and values, all the "alchemy" he used in his paintings made up the unique phenomenon of abstract painting, which was capable of "telling" with its very form. In 1955, he returned to participating in exhibitions, participating in numerous shows in Poland and abroad, also holding many solo exhibitions.
