Bridge in Zembrzyce, 2022
oil, canvas; 115 x 145 cm;
signed, dated and described on the reverse: BRIDGE IN / ZEMBRZYCE / NORMAN 2029.
In my case it looks like this: I'm finishing a full-length film with scenes that show, among other things, simulations of biological mechanisms, where I have to use mathematical algorithms, literally adding and subtracting vectors, matrices and fields. After a few days of such work, I feel that I have an integrated circuit in my head instead of a brain. To >>soften it<< and bring it back to a more natural state, I go down to the studio and paint - Norman Leto.
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