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Alfred Lenica (1899 Pabianice - 1977 Warsaw), "Smudges 23", 1954

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Lot description Show orginal version
Estimations: 6 378 - 10 629 EUR
Additional fees: +5% / 3% Droit de suite
gouache/paper
Dimensions: 69 x 49 cm (sheet)
signed p.d.: 'Lenica'
signed, dated and described on the reverse: 'Lenica | Smudges 23 | 1954'.

Origins
collection of the artist's heirs
private collection, Poland

Exhibited
Alfred Lenica, Stains in Heaven and Earth, Piekary Gallery, Poznan, May-August 2022

Literature
Alfred Lenica, exhibition catalog, [ed.] Beata Gawrońska-Oramus, National Museum in Wrocław, Wrocław 2014, p. 285 (ill.).
Alfred Lenica, Stains in Heaven and Earth, exhibition catalog, Piekary Gallery, Poznań 2022 (ill.)

Biography
Polish painter, father of Jan Lenica and Danuta Konwicka. Father-in-law of Tadeusz Konwicki. He began his studies in 1922 at the law and economics department of Poznan University. At the same time he studied music at the Conservatory of Music. He furthered his painting interests by studying at the Private Institute of Fine Arts run by Adam Hannytkiewicz. In the 1930s, Alfred Lenica painted figurative paintings, primarily still lifes and landscapes, taking his inspiration from Cubism. At the beginning of the war, the Lenica family was displaced from Poznan and went to Krakow. The war time was a turning point in the painter's career. The Krakow artistic milieu centered around Tadeusz Kantor, especially his friendship with Jerzy Kujawski, resulted in a deepening of the painter's interest in the avant-garde. In 1945, Alfred Lenica returned to Poznan, where he became involved in artistic activities. In 1947 he became a co-founder of the avant-garde group 4F+R. After years of trials and explorations, Lenica moved more and more towards abstraction and Tashism. In 1948 he took part in the First Exhibition of Modern Art in Cracow organized by Tadeusz Kantor. In addition to his search for and fascination with abstraction, Alfred Lenica actively participated in the Socialist Realist trend, creating many realistic paintings in the early 1950s. In the first half of the 1950s, during the period of Socialist Realism, Lenica stopped his creative experiments, turning to the artistic doctrine introduced by political imperative. Because of his political beliefs, it was a return for him to the socially and politically engaged paintings he had already painted in the 1930s. At that time he painted such paintings as "Young Bierut among the Workers" (1949), "Pstrowski and Comrades," "Admission to the Party," and "Red Poster" (1950). For his own use, he also tried to combine formal experiments with ideologically committed subject matter, as in his 1953 work "Losing Day Laborers," in which he used collage and monotype. From 1955, Alfred Lenica's painting style, which would accompany him until his death, finally clarified. The style was a combination of Tashism, Surrealism, Informel and Dripping. It involved large-format oil paintings painted in a technique developed earlier by the artist (obtaining color translucence from under successive layers of paint), which he later perfected and developed. Lenica readily used lacquers and industrial paints. He presented a style of abstract painting with a Surrealist-Expressionist tinge. Lenica traveled extensively; at the invitation of the United Nations, he was in Geneva in 1959/60, where he created a mural painting "Three Elements" (Water, Fire and Love) at the headquarters of the organization. He maintained constant contact with the domestic artistic avant-garde, exhibited with the Cracow Group, took part in most open-air events in Osieki near Koszalin, and participated in the symposium "Art in a Changing World" in 1966 in Puławy.

Auction
Alfred Lenica. Interpretation of Movement
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Date
22 November 2022 CET/Warsaw
date_range
Start price
-
Estimations
6 378 - 10 629 EUR
Hammer price
7 143 EUR
Hammer price without Byuer's Premium
5 953 EUR
Overbid
129%
Views: 44 | Favourites: 1
Auction

DESA Unicum

Alfred Lenica. Interpretation of Movement
Date
22 November 2022 CET/Warsaw
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