Dimensions: 150 x 200 cm
signed, dated and described on the reverse: 'JERZY RYSZARD ZIELIŃSKI "TASTE OF PASSION" JURRY 71'
described on the stretcher: 'CYCLE: 'COLLUSION OF PARADISE OUTLAWS' | TITLE: 'FULFILLMENT' | JURRY'
on the reverse of a sticker from the National Museum in Warsaw
Origins
legacy of the artist, Ciechanowiec, direct purchase
Exhibited
Neo "Brzask" painting exhibition, Gallery of Contemporary Art, Warsaw, June-July, 1971.
Painting of Jerzy Ryszard Zieliński, ZPAP BWA Bydgoszcz, 1972.
Jerzy Ryszard Zieliński JURRY, BWA Gallery Zielona Góra, December 1972
"Jurry's Return," Zderzak Gallery, Cracow, 8.10.2010-10.12.2010; National Museum in Cracow, 8.10.2010-30.10.2010.
Jerzy "Jurry" Zielinski: Paintings 1968-1977, Luxembourg & Dayan, London 15.10.2013-14.12.2013
Literature
Neo painting exhibition "Brzask", exhibition catalog, Gallery of Contemporary Art, Warsaw 1971 (il.).
Jerzy Ryszard Zieliński JURRY, exhibition catalog, BWA Gallery Zielona Gora 1972 (il.)
Return of Jurry, Zderzak Gallery, Cracow 2010, cat. no. 95, pp. 158 (ill.), 449
Monika Małkowska, Return of the Rebel, "Rzeczpospolita", no. 245 (8756), 10.2010 (il.).
Anna Arno, Unknown Jurry Poland B, "Gazeta Wyborcza," 21.10.2010
Agnieszka Sabor, Return of Jurry, "Tygodnik Powszechny," no. 44 (3199), 31.10.2010
Katarzyna Wąs, Return of the "citizen artist," "Artluk," no. 4 (18), 2010 (il.).
Stanisław Gieżyński, Chuligan of art, "Weranda", 08.2011
Jerzy "Jurry" Zielinski: Paintings 1968-1977, exhibition catalog, Luxembourg & Dayan, London 2013, p. 26 (il.).
Biography
One of the legends of the artistic life of the 1960s and 1970s in Warsaw.
In 1962-68 he studied at the Warsaw Academy of Fine Arts. Initially he studied sculpture in the studio of Alfred Jesion, and then painting under Jan Wodyński and Jan Cybis, in whose studio he received his diploma. Since 1971, he also studied stage design. During this period he met the artist Jan Dobkowski, with whom he formed the Neo-Neo-Neo Group, active in 1965-70. Jurry and Dobkowski, on the one hand, rejected the academic training profile, which was based on the orthodox colorism of Polish painters, while on the other hand they parodied the pompous artistic manifestos of avant-garde artists of their time. Jurry died tragically at the age of 37.
