heliogravure, paper, 31 x 23 cm
Color heliogravure, heavyweight velin paper, 31 x 23 cm (plate imprint), framed in passe - partout 47 x 37 cm, numbered in pencil 42/270, signed from plate under composition "TLautrec", publisher's dry stamp l. d.: letter K surrounded by the words "EDITION LIMITED CERTIFIED ARTS USA EUROPE SINCE 1998". Original publisher's certificate attached.
Henri Marie Raymond de Toulouse - Lautrec - Montfa - French painter and printmaker. A representative of Post-Impressionism, he had a great influence on the development of modern poster art with his lithographs.
Henri Marie Raymond de Toulouse-Lautrec-Montfa - French painter and graphic artist. A representative of Post-Impressionism, he exerted a great influence on the development of modern poster art with his lithographs.
"An Englishman in the Moulin Rouge" (original: L'Anglais au Moulin Rouge) is one of the most recognizable works of Henri de Toulouse-Lautrec, whose work documented the life of Parisian bohemians, especially cabarets and nightclubs, such as the famous Moulin Rouge. This painting is part of a series that Lautrec dedicated to this place, which is one of the main symbols of Parisian nightlife of the late 19th century.
The painting shows a characteristic scene from inside the Moulin Rouge. The main figure is a tall, well-dressed man, an Englishman named William Tom Warrener, a friend of Toulouse-Lautrec who was living in Paris at the time. He is standing next to a woman, probably one of the dancers or guests of the establishment, with whom he is talking. The man is dressed in an elegant suit, which contrasts with the woman's more casual attire. The background of the painting shows the typical hustle and bustle of a cabaret - illuminated halls, shadows of figures and evocative colors. The composition is distinguished by a peculiar, slightly distorted depiction of the figures, which appear to be quick sketches, enhancing the impression of the transience of the moment. The painting is an excellent example of how Lautrec portrayed both the everyday regulars of Parisian clubs and the more eccentric individuals who were often part of his entourage. The relationship between the gentleman and the woman in the painting is fraught with tension, which can be interpreted as a contrast, typical of the era, between the upper class and the world of entertainment, which attracted artists, dandies and wealthy revelers.
"An Englishman at the Moulin Rouge" is one of those works by Toulouse-Lautrec that established him as a chronicler of Paris nightlife. Today, the painting is seen as an icon of the Belle Époque era and a document of a unique moment in the history of art and entertainment.
